An attempted Analysis of a Musical Phenomenon – Part 3
The question has been asked: What is it that distinguishes David Garrett from other violinists? Those that worked nearly as hard as he did in their childhood and now play almost as well? Those that play in an orchestra instead of centre-stage? – The great conductor Zubin Mehta, David’s long-time friend and mentor, put it like this: “You need to have the sound of a soloist, and the temperament of a soloist … He has both.”
But there is also David’s ability to take any hackneyed tune you hoped never to hear again – O sole mio, O Tannenbaum, O whatever – and to make it shiny and new, like the spinning of straw to gold in a fairytale. His heart, head and hands mark the boundaries of that force field in which a joyous rebirth of any – yes indeed, any – piece of music occurs before our astonished ears, takes place in the close-up transmission of cameras before our wondering eyes.
YouTube fan comments: “I never get tired of watching this musical genius.” – “It always makes me happy to watch David Garrett play.” – “Maravilloso … simplemente encantador!” – “Many thanks for the magical music!”
There is such conscious clarity in every note and interval, and his playing is never overly sweet, never sentimental. The hint of edginess about the strings and the masculine vigour of his performance work equally well with contemporary and classical music: Beethoven and Brahms, Metallica and Nirvana, Tico Tico and the Czardas, Yesterday and Summertime, even Chopin and Schubert (being all about the piano) can rarely have sounded more enthralling.
“Have you ever heard anything more beautiful?” – “Como llega a mi corazón! Excelente!” – “… an extremely gifted and sensitive musician.” – “His tone is amazing.” – “Every touch of magic, perfect!” – “He adds so much to the song with his own style. Every note played with such clarity.” – “I doubt that anything he touches doesn’t transform to gold.” – “Thank you, dear David Garrett, for your fantastic music and the happiness it brings to us all!”
David Garrett can afford to be fearless in his choices, for tags like ‘classical’, ‘crossover’, ‘cover artist’ and suchlike melt to insignificance in this, his particular process of witnessed, conscious creation in music’s universally understood language: A sequence of notes in faultless timing, a progression of harmony, a rhythm … and David’s individual phrasing that expresses a specific emotion in the most beautiful way this moment in time and his outstanding skill affords.
It seems to me that this particular alchemy – this process of turning something too-well-known into something worth listening to – is David Garrett’s unrivalled ability, seasoned with his infectious joy and musical passion. And like a magician he conjures this enchantment for our delight, time and time again, with unfailing commitment. But what he conjures is never illusion. It is truth, pure and sweet.
To be continued … Our next topic is David Garrett and the Violin. If you click ‘follow blog via email’ you won’t miss it.
(All photographs are screenshots drawn from YouTube, for the purpose of illustration only. I trust the authors will allow this use of their picture material. No copyright infringement is intended.)